Italian Early Renaissance Painter, active 1475-1511 Bartolomeo di Giovanni, also known as Bartolommeo di Giovanni and as Alunno di Domenico, was an early renaissance Italian painter of the Florentine School who was active from about 1480 until his death in 1501. He studied with and assisted Domenico Ghirlandaio, painting the predella of Ghirlandaio's Adoration of the Magi in the Ospedale degli Innocenti (Foundling Hospital) in Florence, in 1488. Bartolomeo di Giovanni also worked under the guidance of Sandro Botticelli.  Related Paintings of BARTOLOMEO DI GIOVANNI :. | The Miracle of the Glass of Poisoned Wine | Three Women at the Tomb | Predella: Consecration of the Church of the Innocents | Predella: Deposition wrf | Madonna and Child En-throned with Two Angles,SS.Dionysius the Aereopagite and Dominic,Pope Clement,and St.Thomas Aquinas |
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Eduard von Gebhardt
Franz Karl Eduard von Gebhardt (1838-1925) was a Baltic German historical painter. He was born in Järva-Jaani, Estonia, the son of a Protestant clergyman, and studied first at the Academy of St. Petersburg (1855-58). In 1860 he became the pupil of Wilhelm Sohn at Desseldorf, where he permanently settled, and became professor at the academy in 1873. One of his students was the German-Brasilian painter Wilhelm Techmeier.
BERCKHEYDE, Gerrit Adriaensz.
Dutch Baroque Era Painter, 1638-1698 Brother of Job Berckheyde. Gerrit specialized in a particular type of architectural subject, the TOWNSCAPE. His painted work shows a debt not only to Pieter Saenredam's conception of the building portrait but also to Saenredam's refined draughtsmanship and dispassionate attitude; these qualities mark Berckheyde as a classicist and akin to Vermeer. Berckheyde favoured views of monuments on large open squares, a choice that distinguishes him from the other great Dutch townscape painter, Jan van der Heyden, who preferred views along canals in which clarity was sacrificed for pictorial effect.
ROSA, Salvator
Italian Baroque Era Painter, 1615-1673 Italian painter, draughtsman, etcher, poet and actor. He was one of the most original artists and extravagant personalities of the 17th century. His most popular and influential works were his landscapes, the wild and mountainous beauty of which contrasted with the pastoral scenes of Claude Lorrain. Yet Rosa also painted macabre subjects, erudite philosophical allegories and grand historical themes; he was, moreover, the most significant satirical poet of the Italian 17th century, and there is a close relationship between his poetry and painting. His earliest biographers, Filippo Baldinucci and Giovanni Battista Passeri, both of whom knew him well, described at length his fiery temperament